The primary impulse of my work is the search for beauty though harmony, equilibrium and proportion. However, this search is attached to a conceptual process that aims to arise in the spectator a question or interest. It is he or she that has the chance to choose different aspects of the artwork through his or her contemplation.
 
I distance myself from the concept of sculpture as a closed volume; my work strives to show how through one plane multiple three-dimensional possibilities emerge. These are the result of a profound research in geometry. The use or primary coloured glass enables multiple possibilities where new colours and shapes surface through superposition, in some cases, and fusion, in other cases. The effect is the creation of innumerable and unsuspected colours as in the palate of a painter. Thus, the real protagonist of my work is light, which is capable of modifying the sculpture and its surrounding space, making it a microcosm of colours, shadows and refractions.
 
I always resist closing an idea in my head, since I believe that it is important to be open to the events that take place during the experimental and creative process.